(Piano, vocals, 1906–85) Eurreal Wilford Montgomery was born in Louisiana and taught himself piano, dropping out of school to work functions and juke joints. He first recorded for Paramount in 1930 (‘Vicksburg Blues’/‘No Special Rider’) and then for Bluebird and ARC in 1935–36. Often featured with traditional jazz bands in addition to his primary work as a soloist ...
Wes Montgomery (1925–68) emerged in the Fifties and gained a wide following in the cool jazz movement before turning to pop-jazz in the Sixties. With his unique use of lead lines played in octaves with his left hand and strummed by his right-hand thumb, Montgomery mixed jazz harmonies with R&B rhythms to gain a pop following and exert broad influence ...
Warren Haynes was born in Asheville, North Carolina in 1960. He began to play the guitar at age 12. Jimi Hendrix, Eric Clapton and Johnny Winter were early influences. ‘I would read interviews with all these people and find out who they listened to,’ Haynes has said. ‘And they all listened to B.B. King and Freddie King ...
(Vocals, 1935–84) Esther Mae Washington was born in Galveston, Texas. She moved to the Los Angeles area at the age of five and in 1949 was discovered by Johnny Otis. Her first recording with Otis, ‘Double Crossing Blues’, was a number-one R&B hit in 1950. In that year the pair had two more number ones on the R&B ...
(Harmonica, vocals, 1930–68) Marion Walter Jacobs was born in Marksville, Louisiana. He taught himself harmonica at the age of eight and was working the New Orleans streets by the time he was 12. He worked in Helena, Arkansas (where he met Rice Miller) and St. Louis before arriving in Chicago in 1946. He was encouraged by guitarists ...
(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...
(Guitar, vocals, 1934–2005) Born to sharecroppers in Inverness, Mississippi, the country music Milton Campbell heard in radio broadcasts from the Grand Ole Opry shaped his soulful sound as much as gospel and blues. After regional success, he signed to the Chess Records subsidiary Checker in 1961 and cut the classics ‘If Walls Could Talk’, ‘Feel So ...
(Guitar, 1925–68) Wes Montgomery was a premier jazz guitarist; his unique guitar sound came from plucking octave figures with his thumb instead of a pick. Born into a musical family, Wes taught himself to play the guitar and toured with Lionel Hampton in the late 1940s. He performed with his brothers, bassist Monk and vibist Buddy, before ...
Few groups made as powerful an impression on American blues music in the early 1970s as The Allman Brothers Band. Its blend of blues, jazz, rock and country elements was a predominant sound on nascent FM radio and influenced countless bands that followed in their wake. The Allman Brothers Band have endured tragedies, periods of obscurity and personnel ...
(Randy Brecker, trumpet, flugelhorn, b. 1945; Michael Brecker, tenor and soprano saxophone, EWI, 1949–2007) Philadelphia-born brothers Randy and Michael Brecker were already experienced players when they collaborated with drummer Billy Cobham in 1970 to form Dreams, one of the first groups to attempt combining elements of jazz and rock. In 1975 the siblings formed ...
(Vocal/instrumental group, 1977–present) The Neville Brothers – Art (keyboards, vocals), Aaron (percussion, vocals), Charles (saxophone, vocals) and Cyril (percussion, vocals) – have been one of New Orleans’ foremost musical families since 1954. Art led Allen Toussaint’s house band (the Meters) from the late 1960s, before convening his brothers into a unit in 1976. They released ...
(Vocal duo, 1930s–40s) Contemporaries of the Delmores, Dixons and other brother acts, Homer (1912–2002) and Walter (1910–71) Callahan (professionally, Bill and Joe respectively) stood out with their duet yodelling and their fondness for bluesy themes. Starting out on radio in Asheville, North Carolina, in 1933, they recorded copiously through the 1930s, enjoying moderate ...
(Vocal duo, 1926–52) The sound of The Delmore Brothers – a humorous blues or a wistful train song, told to the rhythm of two mellow guitars – echoed through country music across three decades. Alton (1908–64) and Rabon (1916–52) were among the first stars of the microphone era, their voices linked in soft, confidential harmony fit for ...
(Vocal/instrumental group, 1934–50s) The Shelton Brothers (née Attlesey) were Texans who wavered between an old-time duet style and western swing. Joe (1909–83) played mandolin, Bob (1911–80) concentrated mostly on comedy (a third brother, Merle, played guitar). Originally teamed with Leon Chappelear as The Lone Star Cowboys, they went out on their own in 1934. Their swing ...
Bill Monroe invented the ‘high, lonesome’ sound of bluegrass vocals, but The Stanley Brothers perfected it. Ralph and Carter Stanley refined those vocals into close, three-part harmonies that were unprecedented at the time and which have had a lasting influence ever since. If Bill Monroe And The Blue Grass Boys set the standard for bluegrass picking, The ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
CURATED
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.